Rising Roots

And finally #7 On the series of 7 abstract paintings that follow Jackson Pollock's technique. On this painting I kind of did what i did with #2 but backwards, so i started with the solid red to set up the tone of the painting, then with purple, gold, and platinum paint, I "Jackson Pollock-ed" it. Now instead of leaving it, since i still had a lot of white space, i used a brush to mix all the paint that was around the red which gave it a nice flowing tone to the negative part of the painting. And at the very end i went back with black paint and did all the little "root-like" figures. Obviously it is called "Rising roots" because of the multiple little root like painting of it, but it is also called that, because by the time i reached #7 i felt my creativity rising again.

Crime Scene

#6 On a series of 7 abstract paintings that didn't follow Jackson Pollock's technique as much as the other ones. The process on this painting was not as big and complicated as the other ones, because i tried to go for a fresher yet similar style so this could be part of the series but not end up being a copy in different colors of the previous five. Like i mentioned before this had a simple process to it, i simply sprayed ink on the canvas and then created a sweeping-like motion with the ink, and at the end splattered the whole thing with a little bit of white. I came up with the name of "Crime Scene" because every time i look at it the first image that comes up to my mind is a crime scene, the sweeping-like motion as a slashing movement, whether it was from a claw or a sharp object, and the white being blood.

Shattered

#5 On a series of 7 abstract paintings that follow Jackson Pollock's technique. This piece is called "Shattered" because at this point on the creation of the series my creativity was starting to shatter, because i created these 7 pieces in one to two weeks, so it became challenging to come up with pieces, and since this is number 5 i thought i created everything. But it also gain that name because behind the "gold-ish" paint it seems like there are pieces of broken glass. It kind of looks like a combination of abstracts #1 and #3.

Years Later

                                       2005                                                         2013

#4 On a series of 7 abstract paintings that follow Jackson Pollock's technique, yet it is more of a "let it drip" technique. This piece was done spontaneously, with no thinking involved, and some how it turned into, what I think, is an updated version of the hearts of 2005 piece. I really like this painting because i feel that it kind of shows how much i've grown as a person and an artist over the years. It also connects with the theme of you never know what the future is holding for you.

T.T.T. (The Third Traveler)

#3 On a series of 7 abstract paintings that follow Jackson Pollock's technique. In this piece I decided to go with a big contrast in between purple and orange to show the strong "later like", dripping figure that also occurs on the top left corner (its camouflage with the same pallet than the rest of the painting). The reason why i made this decision is to show the perspective of an only child feeling alone, whether its alone in his/her room or on a trip with their parents always being the "Camouflage/invisible" figure. this can also be viewed as the "awkward third wheel" that stand next to the couple or the B.F.F's.

Nature's path

#2 On a series of 7 abstract paintings that follow Jackson Pollock's technique, this piece also followed a create, destroy, create process, meaning i created the background following Pollock's technique, then with white paint when over it and "destroy it" the created with black the contour lines and the dripping in the middle. It is called "Nature's path" because the color pallet that i used, resemble same colors that we see the most in nature (various tones of green/plants, yellow/sun light, and black and blue/moon light and night) and the white is the "path" per-say.

Material Explosion

#1 On a series of 7 abstract paintings that follow Jackson Pollock's technique, this abstract piece took about two hours overall, and this is what it turned out to look like. Most of it is paint, ink and couple of drops of hot glue. This piece is called "Material Explosion" because of the amount of materials, energy and spontaneous movement it contains.